Marilyn held that intrigue, about who these people were and why they had come such a long way from their homelands.
Once she came to retirement, she could finally seek out the
answer to that long-held question about the people of the mountains and what was their story.
Out of this quest eventuated Echoes on the Mountain, which includes interviews
with some of those who 'lived it', had made the journey across the seas to a faraway and unknown place full of mystery. Mystery in the climate, the geography, the flora, the fauna - and perhaps even the people, whose strong British links to their motherland
still flourished in those days.
Following on from Echoes on the Mountain came Tasmania, An Island Far Away, a title that says it all. This significant work also contains
migrant stories but this work extends itself further than just those immigrants who came to work on the post war HEC (Hydro Electric Commission) schemes. This collection encompasses not only some of those stories but others, dating back to the colonial days
of the 19th century. It could be clearly said that, for everyone, other than the native Aboriginal people at the beginning of European settlement in Australia, was an immigrant.
just to add some spice to her own personal writing journey, Marilyn diverted course slightly, when she was impressed by John Copeland's compilation of stories written about his grandfather, Reverend Frederick George Copeland, for the centenary celebrations
of the Church of England in Queenstown in 1998. From here evolved Echoes from the Wild West Coast of Tasmania (1894-1901), a fascinating account of an English man-of-the-cloth and his stoic resolve to bring succor to his scattered flock on the rainy
west coast of Tasmania.